Description

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The first in-depth account of fictional sequels in the seventeenth and eighteenth centuries, this examines cases of prose fiction works being continued by multiple writers, reading them for evidence of Early Modern attitudes towards authorship, originality, and literary property.

About the Author

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Natasha Simonova completed her PhD at the University of Edinburgh, where she currently holds a postdoctoral fellowship at the Institute for Advanced Studies in the Humanities. She also writes fiction.