Description

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The Autobiography of an Ex-Colored Man is a novel by James Weldon Johnson, published in 1912. This fictional autobiography, originally issued anonymously in order to suggest authenticity, explores the intricacies of racial identity through the eventful life of its mixed-race (and unnamed) narrator. Born in Georgia, the unnamed narrator, the offspring of a black mother and white father, tells of his coming-of-age at the beginning of the 20th century. Light-skinned enough to pass for white but emotionally tied to his mother's heritage, he ends up a failure in his own eyes after he chooses to follow the easier path while witnessing a white mob set fire to a black man. Learning of his black heritage only by accident, the narrator experiences the first of several identity shifts that will eventually find him opting for membership in white society.

About the Author

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James Weldon Johnson (1871-1938) was an American author, politician, diplomat, critic, journalist, poet, anthologist, educator, lawyer, songwriter, and early civil rights activist. Johnson is remembered best for his leadership within the NAACP, as well as for his writing, which includes novels, poems, and collections of folklore. He was also one of the first African-American professors at New York University. Later in life he was a professor of creative literature and writing at Fisk University. During a six-year stay in Hispanic America he completed his most famous book The Autobiography of an Ex-Colored Man which was published anonymously in 1912. It was only during 1927 that Johnson admitted his authorship - stressing that it was not a work of autobiography but mostly fictional. Other works include The Book of American Negro Spirituals (1925), Black Manhattan (1930), his exploration of the contribution of African-Americans to the culture of New York, and Negro Americans, What Now? (1934), a book advocating civil rights for African Americans. Johnson was also an anthologist. His anthologies concerned African-American themes and were part of the Harlem Renaissance of the 1920s and 1930s. He also wrote the melody for the song Dem Bones.