Description

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Weaving a tapestry of creativity and circumstance, this lauded chronicle of the many links and serendipitous meetings between giants of American culture—from Henry James to Gertrude Stein to Zora Neale Hurston to Marcel Duchamp—now includes a new afterword by the author.

Rachel Cohen’s A Chance Meeting is a dazzling group portrait that offers a striking new vision of the making and remaking of the American mind and imagination from the Civil War to the Vietnam War. How does the happenstance of daily life become history? Cohen shows us, describing a series of, now boldly, now subtly, transformative encounters between a wide and surprising range of Americans. A young Henry James has his portrait taken by the photographer Mathew Brady—Brady, who will receive Walt Whitman in his studio and depict General Grant on the battlefield. Later, W.E.B. Du Bois and his professor William James visit Helen Keller; Edward Steichen and Alfred Stieglitz argue about photography; and Langston Hughes and Zora Neale Hurston write a play together. Throughout, Cohen’s narrative loops back and leaps forward with supreme agility, connecting, among others, Willa Cather, Elizabeth Bishop, Marianne Moore, Beauford Delaney, James Baldwin, and Richard Avedon. In A Chance Meeting, Rachel Cohen offers an abiding account of the continuing challenges and the astonishing achievements of American life.

About the Author

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Rachel Cohen is the author of three books of nonfiction, most recently Austen Years: A Memoir in Five Novels, which was published by FSG in 2020 to critical acclaim. Her essays have appeared in The New Yorker, The Guardian, The London Review of Books, and The New York Times, among other publications, and her work has been included in Best American Essays and Pushcart Prize anthologies. She is Professor of Practice in the Arts in the Creative Writing Program at the University of Chicago.

Vijay Seshadri is the author of five books of poetry, including the Pulitzer Prize–winning 3 Sections and, most recently, the collection That Was Now, This is Then.

Praise For…

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“Strange, beautiful and unclassifiable. . . . The portraits, or sketches, which [Cohen] offers are subtle, intimate, and persuasive . . . not only a significant study of a century of American culture, but a fascinating entertainment.” —John Banville, The Guardian

“Cohen is besotted with the cross-pollination of talent, with the way creative people flit in and out of each other's orbits . . . like a portraitist, Cohen turns her subjects this way and that, refracting a moment until the light catches it just right . . . the effect can be dazzling.” —David Kipen, NPR

“Dazzling . . . a book that’s as addictive as popcorn . . . It elevates name dropping to an art, and transforms literary criticism into a party.” —San Francisco Chronicle

“Innovative . . . faultless . . . [Cohen] gives us a more intimate sense of these people in a few pages than one sometimes gleans from entire biographies.” —The New Yorker

“A masterpiece . . . A Chance Meeting takes thirty American writers and artists from Henry James to Robert Lowell, and braids them together in thirty-six encounters. Each person comes round two or three times, and every meeting, friendship and collaboration has a resonance that can be heard down the ages until what you have before you is an immense chain of artistic consequences.” —The Economist

“Symphonic . . . elegant and elegiac . . . [A Chance Meeting] answers hungers you did not even know you had. . . . At book’s end, the world to which Cohen returns you is more vivid, peopled with new acquaintances. . . . Outstanding.” —Emily Bernard, Chicago Tribune

“Enthralling. . . . The 36 essays, as they progress . . . from the Civil War to the civil rights movement, constitute something of a new genre, rare in our period. . . . What is being divined is nothing less than a century or so of American taste, the nature of modern literary and artistic tangency in the United States. . . . I know of no remotely analogous cultural articulation — not even Alfred Kazin's richly rehearsed An American Procession — that ventures so explicitly, and so readily, into the American briar patch of racial and sexual encounters. . . . Rachel Cohen's vision of the life of art in her chosen century, and the effect of that vision upon her reader, is one of an astonishing gladness.” —Richard Howard, Los Angeles Times Book Review

“Captivating . . . like an elaborate fugue . . . [Cohen’s] prose is elegant yet plain, and her judgments sound and generous. . . . While carving a set of brilliant miniatures, Cohen is also indirectly telling a story of sex, race, political protest and celebrity culture in America, from the Victorian era to the 1960s.” —The Boston Globe

“Cunningly crafted and meticulously written. . . . What Cohen has written is not so much a group biography as a sort of evocative matrix of writers and artists over time, with exhilarating overlap and cross-reference.” —The New Republic

“Stylish . . . A Chance Meeting explores the imaginative enlargement that results from an encounter with an inventive (and kindred) mind. . . . Cohen writes like a fiction writer . . . [and] deftly evokes character through eccentric detail.” —Meghan O’Rourke, Slate

“An innovative hybrid of biography, cultural history, ‘imaginative nonfiction,’ and gossipy anecdote. In Cohen’s great chain of being, one brilliant creator is linked to another and another, so that American culture is seen as the vibrant organic whole it truly is.” —Newsday